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This study provides a new analysis of the pictorial ensemble of the Torre de la Parada, the hunting lodge of King Philip IV of Spain. Created in the late 1630s by a group of artists led by Peter Paul Rubens, this cycle of mythological imagery and hunting scenes was completed by Diego Velázquez. Despite the lack of a written program, surviving works provide eloquent testimony of several basic themes that embody Neostoic ideals of self-restraint and prudent governance. While Rubens set the moral tone through his serio-comic Ovidian narratives, Velázquez added an important grace note with his portraits of ancient philosophers, and royals and fools of the court. This study is the first to consider in depth their joint artistic contributions and shared ambition. Through analysis of individual works, the authors situate these pictorial inventions within broader intellectual currents in both Spanish Flanders and Spain, especially in the advice literature and drama presented to the Spanish king. Moreover, they point to the lasting resonance of Torre de la Parada for Velázquez, especially within his late masterworks, Las Meninas and Las Hilanderas. Ultimately, this study illuminates the dialogical nature of this ensemble in which Rubens and Velázquez offer a set of complementary views on subjects ranging from the nature of classical gods to the role of art as a mirror of the prince.
Ovid --- Velázquez, da Silva y, Diego --- Rubens, Peter Paul --- Philip IV [King of Spain] --- Rubens, Peter Paul, --- Velãzquez, Diego, --- Philip --- Criticism and interpretation. --- Art patronage. --- Velázquez, Diego, --- Ovid, --- Torre de la Parada (El Pardo, Spain) --- Rubens, Petrus Paulus --- Velázquez, Diego, --- Rubens, --- Rubens, P. P. --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- רובנס, פטר פאול, --- Ovidius Naso, Publius. --- Felipe --- Philippe --- Filippo --- Filipe --- Rubens, Pieter Paul --- Rubens --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- Velázquez, Diego
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A fresh consideration of the images of saints and martyrs Rubens created for the churches of Flanders and the Holy Roman Empire that offers a masterly demonstration of Rubens' achievements, liberating their message from the secular misunderstandings of the post-religious age and showing them in their intended light.
martyrs --- saints --- Rubens, Peter Paul --- Christianity and art --- Christianisme et art --- Catholic Church. --- Eglise catholique --- Rubens, Peter Paul, --- Criticism and interpretation. --- Iconography --- Catholic Church and art --- Catholic Church --- Rubens, Pieter Paul --- Rubens --- Rubens, P. P. --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- רובנס, פטר פאול, --- Rubens, --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- Rubens, Petrus Paulus, 1577-1640 --- Art chrétien -- Europe --- Saints --- Martyres --- Iconographie
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influence --- Rubens, Peter Paul --- Painting, European --- Painting, Flemish --- Flemish influences. --- Rubens, Peter Paul, --- Rubens, Peter Paul, Sir, --- Rubens, --- Rubens, P. P. --- Rubens, Pierre-Paul, --- Rubens, Pieter Paul, --- Rubens, Pieter-Pauwel, --- Rubens, Pietro Paolo, --- רובנס, פטר פאול, --- Rubens, Pieter Paul --- Rubens --- Rubens, Pierre-Paul --- Rubens, Pieter-Pauwel --- Rubens, Pietro Paolo --- lust --- geweld --- poëzie --- 17de eeuw --- 18de eeuw --- 19de eeuw --- 20ste eeuw --- Flemish influences --- kracht, geweld --- wellust, luxe, "Luxuria"; "Lussuria" (Ripa) ~ verpersoonlijking van een van de hoofdzonden. --- kracht, geweld. --- poëzie. --- Rubens, Peter Paul. --- 17de eeuw. --- 18de eeuw. --- 19de eeuw. --- 20ste eeuw. --- wellust, luxe, "Luxuria"; "Lussuria" (Ripa) ~ verpersoonlijking van een van de hoofdzonden
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